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    Entries in talent management (44)

    Wednesday
    Dec022015

    You can learn plenty from a simple employee tenure chart

    Count of employees by years of tenure. Quite possibly the simplest workforce metric, (can we even call it a 'metric?'. I guess), that exists. And since it is so simple, really it is just counting up the number of employees at different levels of tenure like 1 year, 2 years, more than 10 years, etc., it probably can't tell us all that much about the conditions or capabilities of a large workforce right?

    Well maybe this simple metric can tell us a little more than we think. Take a look at the data below, and before you skip ahead to the rest of the post to see where the data is drawn from, ask yourself what this simple data set might say or at least suggest about the organization in question:

    EXPERIENCE

    NUMBER

    First year

              10

    Second year

              13

    Third year

                1

    Fourth year

                0

    Fifth year

                1

    6-9 years

             21

    10-15 years

             38

    16-20 years

             27

    21-27 years

            10

    Source: (see below)

     

    So what can we discern from the data above, on the tenure counts of a group of employees that do pretty much the same job inside a mid-sized organization?

     

    Obviously there is a visible 'gap' in experience levels across this group - there is a huge cluster of the total of 121 employees in the group (about 61%) having more than 10 years experience and another smaller, but not insignificant grouping having between 1 and 2 years experience, (about 20%). But in between these clusters at the extremes of experience? Not many employees at all. In fact there are only 2 out of 121 employees having between 3 and 5 years experience on the job - often the 'sweet spot' for proficiency in many roles, but more on that in a second.

     

    What might we then deduce about the potential issues that might face any organization, (and again, we will get to which specific organization data set represents soon), with this kind of 'hollowed-out' tenure distribution?

     

    I can think of at least three things, and I promise I am not trying to allow my knowledge of who this organization is to reach these observations:

     

    1. Something in this organization's recruiting/onboarding/mentoring/early development for new employees is not working. To have effectively about zero staff in the 3 - 5 years of experience cohort says you either are bringing the wrong type of people into the role, or are failing to get them up to speed to the point where they are succeeding within 3 years. The chart, simple as it is, can't tell us what exactly is wrong, but that certainly something is wrong.

     

    2. Although this is just a tenure chart, and not an 'age' chart, it doesn't require too much of a stretch to conclude that this organization is going to face a pretty serious issue with older workers either retiring or with them simply unable to perform in the role at a high level once they hit a certain age. There are pretty significant physical and fitness requirements for this role, making it not the kind of job that most people can continue in much past say 60 or so. This lack of balance in experience with the heavy skew towards 10 and 15 year plus employees is going to present acute issues in the next 3 - 5 years (and possibly beyond).

     

    3. An organization with this kind of tenure distribution probably has not kept up from a talent management and recruiting perspective with the increasing demands of the role. Like most jobs, the one held by the folks in this chart has become more complex in the last few years, has more scrutiny and pressure placed upon the people in the role, and the employees have more at stake in terms of money and prestige for the organization that employs them. In a nutshell, this job, while being around for about 100 years or so, has in the last 10 or so gotten much, much harder. And the 'gap' in the talent pipeline shows us that recruiting, development, and mentoring efforts have not kept up. Entire new classes of new hires are gone inside if 5 years.

     

    Ok, so who is this organization/group of employees who are reflected in the above chart?

     

    No one but the National Football League's on-field officials - the 'Zebras' that officiate and adjudicate the action on the fields of America's most popular professional sports league, the NFL.

     

    And increasingly, these on-field officials are in the news for all the wrong reasons - missed calls, bad calls, failure to recognize clearly concussed and barely vertical players after they are smashed in the head, and so on. This group of employees, as a group, have been performing poorly for some time now. And the talent pipeline as we see above does not indicate that things are about to get any better anytime soon.

     

    The big lessons for the rest of us?

     

    Pay attention to tenure. Sure, it is not the only or even the most important simple metric to think about. But if it takes 3 or 4 or 5 years for someone to really become expert at the job, and you have hardly any employees in those buckets, then you are going to have organizational performance issues. You will have too many folks on the downslope of their capability and too many who have not yet figured out what the heck is going on. And not enough folks heading up towards their peak.

     

    You are not always recruiting, developing, mentoring, and retaining to ensure high performance this week - sometimes you are doing all of those things to ensure high performance four years from now.

     

    And football is still dumb.

     

    Friday
    Nov062015

    Grantland, Simmons, and how talent (still) is hard to hold on to

    Last week media giant ESPN decided to abruptly shutter the website Grantland, the sports and pop culture site, (and which was  pretty literary for a sports and pop culture site), that had been founded and led by Bill Simmons. Simmons was let go, (or more accurately, informed his contract would not be extended), in the spring, following a series of clashes with ESPN management over Simmons' comments about the NFL and its commissioner Roger Goodell.

    After a few months of muddling along, Grantland, now devoid of Simmons (and many other talented writers and editors who left Grantland after Simmons), has now been shuttered for good by ESPN, who in a statement indicated they have 'decided to direct our time and energy going forward to projects that we believe will have a broader and more significant impact across our enterprise.'

    Without Simmons, there really could be no Grantland, and certainly ESPN doesn't need a Grantland wihout the founder, leader, and most popular personality on board anyway. The 'core' site of ESPN.com is one of the web's most visited properties after all. Any Grantland talent that remains with ESPN can be absorbed by ESPN.com.

    But despite the demise of Grantland, it is still worth making a couple of observations about what happened with Grantland/Simmons, and how this episode in Talent Management / Employee Relations might offer a couple of lessons or things for the average HR and Talent pro to consider.

    1. No succession plan, no future

    While Grantland had dozens of staff, including some acclaimed, award-winning writers, the face, inspiration, and key to the entire endeavor was Simmons. There was simply no other, singular, talent that emerged over Grantland's four year run that could rival/replace Simmons in this role. It could be argued that once ESPN released Simmons from his duties earlier in the year, that they always knew Grantland would be closed soon after. But if they had developed or at least identified a plausible candidate to assume Simmons' place as the leader of Grantland they would have had more options. Simmons dominated Grantland to an extent that it made no sense to continue it without him, regardless of if ESPN would have like to see it continue.

    2. The best managers understand the role and importance of the best talent

    The job of leadership is to get talent to produce and create, and this does not work by threatening with rules or by levying discipline. And managing the very best talent is probably the hardest challenge for the manager, even harder than managing out poor performers. How much leeway do you give the best talent? How many rules do you allow them to dodge or break? How much freedom do you give top talent to create, unencumbered by roadblocks and rules? 

    What for organizations is next in importance after finding and hiring the best talent? Finding and hiring the right managers that can confidently, carefully, and diplomatically get the best work out of these talented folks while at the same time keep the other 95% of the workforce from hating them.

    3. The best talent, brand-building talent, is very hard to find and keep

    ESPN certainly helped build Simmons into the star media personality he has become. But ESPN also certainly had underestimated the value and power of Simmons popularity. Over the years ESPN seemed almost as interested in controlling and keeping Simmons toeing the company line as they were in supporting and positioning Grantland for success. That attitude might be effective (and needed), for the 95% of the staff who are just good to very good, but it almost never works or sits well for that 5% of employees who are really elite.

    There are very few talents like Simmons out there. And the more that management tries to tell these talented people what to do and how to act the more they are going to be alienated and look to move on.

    Talent still runs the world. Even if leaders like to think otherwise sometimes.

    Have a great weekend!

    Thursday
    Aug062015

    This is why we can't have nice things (HR and Talent Edition)

    If you follow the news, particularly the news relevant to the workplace, HR, and Talent Management, you probably caught a couple of recent stories that have been pretty widely reported, circulated, and dissected.

    One having to do with compensation - Gravity Payments Raising Minimum Salary to $70,000

    And the second, a straight up benefits story - Netflix To Offer Unlimited Parental Leave

    Both of these stories, one about how one company is raising its minimum salary to a pretty high level compared to local and national statutory minimum wage requirements, and the next, about how another large US company is extending and enhancing a much-needed employee benefit (parental leave), were initially met with positive or at least neutral reactions.

    But then, predictably, the backlash and criticism of both of these policy changes, and from a wide assortment of commentators began.

    The decision by the Gravity Payments CEO to raise his company's minimum annual salary to $70,000 was the easier mark. Outlets from the New York Times all the way to the site I contribute to Fistful of Talent, took apart the Gravity plans. Unworkable, unaffordable, unfair to top performers - the list of holes that were poked in the Gravity plan are too long to recount. 

    Netflix' decision to extend parental leave to an unlimited amount for an entire year has been met with relatively less criticism, but at least one major publication, the Washington Post wasted little time in alerting the rest of us that in fact Netfilx' innovative policy was likely "a bad idea for your company."

    Whether it is these recent stories from Gravity and Netflix, or older and more familiar stories about novel, innovative, and worker-friendly policies from companies like Zappos or Google, there is always one element they have in common. No matter what the specific issue is, (increases in pay, enhanced benefits, more worker autonomy, etc.), once the news makes the rounds almost immediately thereafter commences the chorus of commentary that strikes a familiar, and tired, refrain. 

    And these critiques are always the same. They are always some combination of 'This is a terrible idea/bad Talent Management' along with its corollary 'Sure, this might work in Silicon Valley, but it will never work for you'.

    And I have to say I find that pretty depressing. 

    Why do we have to immediately and forcefully look to take down or at least diminish the significance and importance of new ideas that are clearly intended to improve work, workplaces, and the lives of workers?

    Why do we instinctively look to marginalize the significance of any employee welfare improvement initiative that comes out of some Silicon Valley tech firm as something that could only work in that progressive environment, and not at any 'grown up' company?

    Why do so many HR and Talent folks immediately look to identify why they can't look to follow some of these leading organizations like Netflix and Google and the like, instead of admitting that they might be able to learn/steal from their ideas?

    Look, I understand the arguments knocking the compensation plan that Gravity is trying to implement, and the realities of costs and budgets that make offering up to a year of paid parental leave hard if not impossible for many companies to copy. The criticisms are often valid and well-reasoned.

    But the problem is that they usually just try to shut down the conversation, and don't offer any insights into how these modern, innovative, (and certainly outlier) ideas can be adapted to work in a more mainstream and widespread way. Instead of saying something like 'You can never copy what Netflix is doing', how about we try 'You may not be able to do exactly what Netflix is doing, but here are some ideas on how you can leverage these ideas in your shop'.

    But instead we almost overwhelmingly react negatively. As if raising the minimum salary in an organization to $70,000 is an abomination, and giving new parents unlimited leave for a year are concepts that if adopted in the mainstream would somehow crack the foundations of modern business, and of HR/Talent Management. As if somehow these ideas threaten us.

    What are we afraid of, really?

    Sunday
    Jul122015

    At ESPN Product beats Talent

    Recently cable sports behemoth ESPN, which likes to bill itself as 'The Worldwide Leader in Sports', announced on its website that it was not renewing the contract of well-known personality Keith Olbermann, who has had a long and checkered relationship with the network.  This announcement follows fairly closely on the heels of ESPN deciding to not renew the contract of perhaps the network's most high-profile individual talent, Bill Simmons, editor of the sports and culture website Grantland, and host of the most popular sports podcast, The BS Report. In both cases, the network executives elected to move on without these high visibility, high maintenance, and high compensation performers for a couple of reasons, one more interesting than the other.Simmons, enjoying his time off

    At first glance these moves are straight up cost-cutting measures. It has been widely reported that ESPN's parent, Disney Corp, is looking for significant cost cuts at ESPN, as the sports division has seen a pretty dramatic increase in costs, primarily the rights fees it has to pay to sports leagues like the NFL and NBA for the rights to broadcast games. Increasingly in the heavily fragmented and competitive world of entertainment, particularly TV, live sports games, (along with awards shows), remain one of the very few types of TV shows that require and generate 'live' viewing. Therefore the value of these games has skyrocketed, the leagues recognize this, and are justifiably getting literally billions of dollars of fee increased from cable and broadcast networks for the rights. So, ESPN costs are going up, people like Olbemann and Simmons represent lots of salary costs, so simple math makes (and made), them both vulnerable.

    But the other reason the two personalities were jettisoned is perhaps more interesting and instructive to the rest of us. ESPN, as we can see from the sports rights fees issues above, is essentially in the business of broadcasting live sports events - NFL game, NBA games, MLB games, etc. That is the 'product' they provide to their audience and sell to their advertisers, and as we see above, pay tremendous and increasing fees to acquire. Everything has to be about generating an adequate return on those investments. People like Simmons and Olbermann, (and hundreds of others at ESPN), exist mainly to enhance the product - talk about the games, analyze the strategies, provide insight to the outcomes, and be entertaining while doing all of these things. But none of those things are the actual product - they only support the product. Simmons and Olbermann are more or less the back office, while the folks that acquire and produce the games, (and sell the ads), are the revenue generators. 

    Simmons and Olbermann are (mostly) Genral and Administrative costs to be trimmed, not significant Top Line drivers, (it has been reported that Grantland has never been profitable and podcasts, even Simmons' are notoriously difficult to monetize, and Olbermann's show was not a big revenue producer).

    And when you are G&A, no matter how funny and glib and well-known, your heads are always going to be first up on the chopping block when budget cuts are looming. You have to understand where you fit in the organization, not just on the org chart, but on the Income Statement.

    At ESPN, and I suppose where you work too, Product drives the Top Line. Not all talent does however. And good luck to folks who can't tell the difference.

    Thursday
    Jul022015

    Three Talent Management Observations from the First Day of NBA Free Agency

    I continue to be on record as stating that HR/Talent pros can learn just about everything they need to know about talent management, leadership, team dynamics, managing for performance, and a million other things from careful observation of professional sports - and most notably the NBA.

    Yesterday was the first full day of the league's free agency period - the time where teams are free to recruit, negotiate with, and sign to new contracts those players whose contracts had expired - thus making them 'free' agents. As usual, Day 1 of free agency led to a flurry of announced and rumored deals between NBA teams and the most coveted of these players, three of which I want to mention here, as they all reveal some interesting insights towards talent and how top talent and exemplary organizations think.

    1. LeBron James and the 1-year deal - While the norm across the NBA on Day 1 of free agency has been for the most prized free agents to agree to 4 and 5-year deals for very large dollar amounts, (Kevin Love, Draymond Green, DeMarre Carroll, etc.), the league's very best player Lebron James is reported to only be willing to accept a 1-year deal from his current team, the Cavaliers. This short-term deal, while being riskier for James, (in case he gets injured), secures his leverage with team ownership, as he can demand that the Cavs do everything possible to field a contending caliber team, with the threat of losing James looming at the end of each season. Keep LeBron happy and you get to keep him. So while lots of talented players are willing to take 4 and 5 years, the best player doesn't need that security, he would rather keep the power shifted in his direction. The same probably holds true for the best, most-talented pros in any field. You need them more than they need you.

    2. Gregg Popovich will not call you at midnight - Popovich, the longtime coach of the San Antonio Spurs, one of the league's most admired and successful teams of the last 15 years, eschews the practice of attempting to begin wooing free agents at the stroke of midnight on July 1, the official starting point of free agency. According to Pop, "I'm not calling anyone at midnight, I'll be in bed. And if that's the difference in someone coming or not coming, then I don't want them." That stance cements two points in the recruiting process for the Spurs. One, they don't need to try and impress free agents with the (silly) gesture of the midnight phone call. And two, they realize that any player that requires that kind of a gesture in order to have their ego massaged is probably not the kind of player the famously unselfish and team-first Spurs are interested in having anyway. This is a great example of an organization living up to and reinforcing their specific culture in the recruiting process.

    3. LaMarcus Aldridge is not impressed - One of the most in-demand free agents this year is LaMarcus Aldridge, formerly of the Portland Trailblazers. In his meeting with the Los Angeles Lakers, a storied team that has recently fallen on hard times, Aldridge came away unimpressed. The reason? The Lakers presentation focused too much on off-the-court opportunities that the Los Angeles market can provide, and not enough on how the team plans to actually get better at playing basketball.  Aldridge has his pick of about a half-dozen teams, the market price for a player like him is pretty well defined, so money is not really an issue, so it actually boils down to the work and the opportunities to be on a competitive team that matters to him. The Lakers are trying to play off a reputation that might have mattered 20 years ago, but is lessened in its value today. Lesson here? You might have been a top place to work in 1998, but that matters almost nothing today to talented pros who want to grow in their careers. 

    As these three short examples indicate, the power dynamics at play between organizations and the best talent are always fascinating to watch. While different, they all lead us to just about the same place - he/she who holds the power gets to make the rules. And that balance is just that, a balance. Which means it can shift, subtly at first, but sometimes dramatically, leaving the unprepared side to wonder what the heck just happened.

    Have a great July 4th holiday weekend in the USA.  

    Quick editorial note - I am on the road for most of the next two weeks, making my first trip to China and Hong Kong in preparations for next years' first ever HR Tech China Conference. So posting may be a little sporadic over that time.

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